At the end of it, I figured these three must be viewed as a whole package. They're good because they don't tend to convince you to believe or not to believe in love, except they unveil the face of love and leave it to you to kiss or not.
Jim Morrison堪稱滾圈名場面最多的男人,他是一個國家,甚至是一個宗教。放棄自然過渡,集中展現名場面,這種破碎感暗合了主人公的心性,但也放棄了鋪墊和敘事。性毒品酒精,樂隊的爭執與瓦解,攻擊他人與自我毀滅,公式般的搖滾電影。也能理解對于波西米亞狂想曲的批評來自哪里,因為這些橋段和符號實在是太老生常談了。音樂電影確實難拍,真實的傳奇人生遠比電影精彩。看著電影也不禁讓我想到現實,多少年流行樂派沒出過鋒芒畢露的意見領袖了,個人與時代,也是相互成就啊。