從《燒女圖》轉過來一時有點適應不了Marco Berger的節奏,的確是重回《夏威夷》的一部。映前有一個導演自己出鏡的彩蛋,我突然想到他的風格就像在代替Andy Warhol發泄對彩色電影的猜忌、不安和怨氣,只不過他喜歡把細碎的鏡頭拼在一起。火車的隱喻十分明顯,網上強行解釋為開放式結局有點過分樂觀了。知道這部里性愛鏡頭多且直白,一開始還在想在電影院看他的片子會不會有那種一美元一張票黃色影片放映室的體驗。看過之后才知道以前一個人在寢室看他片子時候的壓抑感在電影院會被放大無數倍,連我打開可樂瓶蓋的放氣聲都格外明顯。然后就回想起,"I want to live a normal life"這句話,14歲的時候就有人和我說過了。
I never forgot that New Year's Eve,when aunt bea awakened me to watch 1944 come in.And I never forgotten any of those people,or any voices we used to hear on the radio.although the truth is with the passing of each new year's eve,those voices do seem to grow dimmer and dimmer.